Each year, The Ballet Alliance hosts a dynamic four-day Festival – a pivotal event designed to elevate and connect member companies. During the Festival, dancers:
Gain invaluable performance experience by showcasing their artistry for their peers.
Forge lasting connections and expand their professional network.
Receive unparalleled visibility with recruiters from world-class ballet schools, professional dance companies, and university dance programs.
This exposure frequently leads to scholarships for summer intensives, early acceptance into higher education programs, and coveted apprenticeships or professional contracts.
Over $100,000 in scholarships is awarded annually, investing in the future of dance.
Scholarship Audition
Dancer Party
VIP Reception
Honor’s Ballet Class
Master Classes & Seminars
Performance #1
Honor’s Repertory Class
Master Classes & Seminars
Performance #2
Master Classes & Seminars
Performance #3
Banquet + Awards Ceremony
See the detailed program here:
Lisa Slagle received her early dance training in both southern California and Texas. She began her professional dancing career at the age of 11 when she appeared as a solo dancer in the Elvis Presley movie, “Clambake”. Upon graduation from high school she was offered a position with the Joffrey Ballet in New York, where she stayed until 1979. While there she had the opportunity to perform leading roles in ballets by choreographers Agnes de Mille, Gerald Arpino, Frederick Ashton, August Bournonville and Twyla Tharp. …
Upon her retirement from dancing, she started teaching ballet in the Dallas area, and in 1999 became the founding director of the Ballet Academy of Texas. In her 22 years as Director, the Academy received “Outstanding School” awards from the Youth America Grand Prix organization on multiple occasions, and Ms. Slagle received the “Outstanding Teacher” award in the Southwest area. In 2001, she founded the pre-professional company Ballet Ensemble of Texas, which was an Honor Company with the Regional Dance of America organization during her 13 years as director. Many of her students are now dancing professionally in such companies as American Ballet Theatre, Texas Ballet Theater, and Sarasota Ballet.
Ms. Slagle was asked to be on the Advisory Board for American Ballet Theatre’s National Training Curriculum when it was developed in 2007. She taught for ABT as a Master Teacher for their various Summer Intensive workshops from 2007 until 2023, and has served as Artistic Coordinator for their Young Dancer Workshop in the Southwest. She has staged her choreography and been a Master Teacher for such noted national schools as Orlando Ballet School, Washington School of Ballet, Oklahoma City Ballet, and the Interlochen School of the Arts. She adjudicated Regional Dance America’s Festivals in the Northeast (2018) and Mid-States (2020) regions, and served as a judge for the American Dance Competition/International Ballet Competition in 2024. She joins the Arpino Foundation Board in 2024 and looks forward to her association with the Ballet Alliance as Festival Director beginning in 2025.
A native of Santa Cruz, California, Melody Mennite trained at Santa Cruz Ballet Theatre under Robert Kelley and Diane Cypher and at Pacific Northwest Ballet. She also attended summer intensive programs with Suzanne Farrell. Mennite attended three consecutive summer intensive programs at Houston Ballet’s Ben Stevenson Academy, starting at the age of 13. She then spent one year in Houston Ballet II on full scholarship and stipend, also winning a scholarship award from Regional Dance America/Pacific. She joined the company at the age of 17 and rose through the ranks quickly, achieving Principal dancer status in 2008.
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With Houston Ballet, Melody has originated many roles and performed all of the leading roles in the company’s repertoire, including the classics by Ben Stevenson, Stanton Welch, August Bournonville, John Cranko, Sir Kenneth MacMillan, Sir Frederick Ashton’, Ronald Hynd, Trey McIntyre and John Neumeier. Her neoclassical and contemporary repertoire includes principal roles in ballets by Jiří Kylián, George Balanchine, Justin Peck, Jerome Robbins, William Forsythe, Christopher Bruce, Aszure Barton, Christopher Wheeldon, Trey McIntyre, Cathy Marston, Twyla Tharp, Nacho Duato, Paul Taylor, Jorma Elo, James Kudelka, Garrett Smith, Mark Morris, Wayne McGregor, David Bintley, Edward Liang, and Stanton Welch, many of which were created for her.
Melody co-founded and directed REACH — a choreographic project that curates evenings of world premieres by emerging choreographers and designates all proceeds for arts education programs in underserved schools. Following the success of REACH, Mennite and her colleagues were invited to collaboratively create a world premiere for a theatre-in-the-round at the George R. Brown Convention Center for Houston Ballet. Melody was on the faculty of Kinder High School for the Performing and Visual Arts and has taught master classes for many schools around the country. She is a certified integrative somatic trauma therapy practitioner and is trained IPec coach, which factor into her teaching and coaching style. She holds a black sash from the International Kung Fu Association for Chinese Martial Arts. Melody currently free-lances, and is both dancer and resident choreographer for AVID in New York City.
Melody has choreographed many new works, including for Ballet Arkansas, Houston Ballet Academy, Kingwood Dance Theatre, Kansas City Ballet, Contingent Ballet, Houston Chamber Orchestra Festival and Houston Ballet, among others. She was the choreographer, lead actor, and dancer in the award-winning film Self Sabotage, which was the short film category winner at the Festivus Film Festival in 2012. Cincinnati Ballet has commissioned a new work by Melody for the 2026-2027 season.
Nicholas Ade was appointed CEO of Central Pennsylvania Youth Ballet (CPYB) in November 2014 bringing to the nation’s preeminent school of classical ballet more than 18 years of experience that couples substantial artistic expertise with administrative knowhow in leading an arts organization. Immediately prior, Ade was the ballet school’s interim executive director. …
In September 2012 Ade was appointed as CPYB’s first school principal and faculty member, a post to which he brought an exceptional eye and an understanding of the needs of young dancers. Under his leadership Ade led the expansion and formalization of the men’s dance training program, introduced the Male Scholarship Program that attracts students from across the United States, and created and implemented an aggressive recruitment process that paved the way for summer students to integrate into CPYB’s year-round academic programs. Prior to joining CPYB, Ade was school principal of the Pacific Northwest Ballet School’s Francia Russell Center, PNB’s Eastside School, under Artistic Director Peter Boal from 2006 through 2012.
As a dance educator, Ade teaches on the distinguished faculty of CPYB Founding Artistic Director Marcia Dale Weary. Ade taught seven years at Pacific Northwest Ballet’s School and is a permanent guest faculty member at Ballet Academy East in New York City. A sought-after instructor throughout Europe and North America, he has taught at the Iliev Foundation in Bulgaria, Tri-Cities Academy of Ballet, Utah Regional Ballet, and the University of North Carolina School of Arts. Ade also has been on faculty at the national and regional festivals for Regional Dance America (RDA). His relationship with RDA has also extended into adjudicating. Ade hosted the Craft of Choreography Conference (CCC) and Summer Intensive from 2007-2009 and was on the CCC faculty from 2004 through 2009. He hosted PNB’s Eyes on Dance and Discover Dance outreach performances and was project coordinator for PNB’s NEXT STEP (formerly Choreographers’ Showcase) 2005-2012.
Ade danced with Pacific Northwest Ballet (PNB), one of the largest and most highly regarded ballet companies in the United States, from 1996-2006 under Francia Russell, Kent Stowell and Peter Boal. During his dancing career, Ade performed leading roles in works by George Balanchine, Ronald Hynd and Kent Stowell. He was featured in works by Peter Martins and originated roles in ballets by Val Caniparoli. A native of Los Angeles, CA., Ade received his professional training at San Francisco Ballet School and at the University of North Carolina School of the Arts, as well as attending summer programs at the School of American Ballet, Houston Ballet School and Boston Ballet School.
Embracing an attitude of innovation while preserving the organization’s rich history, Ade’s future business and financial plans support CPYB’s vision – to inspire, educate and enrich lives – leading the ballet school into its next 60 years. Ade has his sights set on increasing organization awareness in the broader arts industry to bolster the school’s ability to raise more support for scholarships, outreach and productions. While expanding upon communications and productions efficiencies, he aims to ensure good stewardship of resources while growing and augmenting the students’ education.
Ade has served The Ballet Alliance as both an Ambassador and an Emerging Choreography Mentor since 2021.
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